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Thursday, January 8, 2015

A Menu of Simplicities



Coming home at the end of the school day, having taught and learned, my wife having done the same, and looking forward to an evening chauffeuring our kids around town, a frozen chicken breast in the freezer seems overwhelming. In an ever evolving effort to continually simplify my life, to cut out as much fat as possible, I often create monthly menu plans. I post the menus for the current week on our refrigerator. Last semester, I did not do this, and spent way too much money driving through McDonald’s or a Chinese fast food joint, ordering pizza and ordering more pizza. The amount of work it takes to put one of these semester long menu plans together is considerable and more stressful than working on a thesis. The pay-out, however, are easy meals and twenty minute grocery shopping trips.

I have a few rules for my menus. One, the meals have to be cheap. I’m really happy if I can feed the family on $50 for the week. Two, the meals have to be quick. Rachel Ray’s thirty minute meals be damned. I’m talking ten minutes flat prep, cook, and serve. Third, one meal a week is crock pot night. I will say that this last rule is more of a rule of thumb. Hopefully it happens. Grad school, for some reason, tends to be filled with evening classes. A crock pot meal is nice to come home to. The kids and the wife have already eaten. The pot is still simmering, and it’s just plop on your plate, eat, and go to bed. My cousin runs a crock pot Facebook page, though I am a little ticked off at the page because it’s called “Crock-pot Ladies.”

Other sites I follow:
●                   The Pioneer Woman
●                   Grocery Budget 101

And then at that point, I am at a loss, and my menu planning consists of crazy and desperate Google searches. Then recipes get lost never to be repeated in our household again. I wish I could find an app that I like that would allow me to collect this stuff.

When my wife and I were first married, one of our wedding gifts was the 1991 edition of the Betty Crocker’s Cookbook. We still have this book, but the cover has been replaced with duct tape. Pages are falling out. Other pages have huge tears down the center and repaired with Scotch tape. There are oil stains, and the pages are yellowed at the edges. We do not use this book any longer. It sits on our bookshelf beside our wedding album, a testament of almost seventeen years of marriage, two kids, and several moves across the country.

Here’s a recipe:

Boil spaghetti noodles al dente.

In a frying pan, slice up a kielbasa, add red onions, sliced zucchini, yellow squash, and some Kraft Italian Tuscany dressing. While this is all cooking, strip baby spinach from their stems, and cut in half several grape tomatoes. Drain the noodles, add the spinach to the drained noodles, toss, and put take the pan stuff and add to the noodles, toss again. Put the tomatoes on top, then lid the noodles. Let sit for a bit, so the tomatoes can sweat and the spinach can wilt. Serve topped with feta cheese.

Do you have a favorite recipe? A menu app that you’d like to share? Shopping tips?  

Monday, January 5, 2015

The Power of Story


The power of story.

I believe in this.


Stories tell us who we are. They tell us who we aspire to be. Stories make us better. And I don
’t just mean highfalutin literature, but I mean everything from the dime detective novel to flash fiction and genre.

Look, I tried to write a romance novel once. Dismal failure, really. I had this long, convoluted, outline, stock characters, and followed formula to a T. Really, I had the hope to make money. Lots and lots of money. Because, well, I was broke. When I finished the draft, I sent the novel to publisher after publisher. After the first thirty pages, they always wanted to see the complete novel, and I
’d send them the whole enchilada, and they’d write back and tell me that, though the story was good, I hadn’t written a romance. Well, what do you mean? There was kissing and some sex scenes, and even a fight to win the honor of the woman. I mean, riveting stuff. Nobody wanted to publish it.[1] What I didn’t understand was the nature of story. Why it mattered, and why people who read romance read romance. The romance genre is about empowerment[2].

I
’ve tried my hand at fantasy fiction as well because I’ve always admired authors such Patricia Wrede[3], Ursula K. Le Guin, and I grew up on Dungeons and Dragons without my parents’ knowledge. Again though, I didn’t really understand why I was trying to write these stories about elves and dragons or why the fantasy genre was even important.  Dave Robison writes on his Mythic Scribes blog that, “With a few rare exceptions, genre [fantasy/science-fiction/speculative] fiction is generally dismissed—even disdained—by ‘serious’ authors and critical reviewers alike.” Yet, many people, such as I once did, miss the point of fantasy. The genre opens to possibilities.
I could go through the entire list of genres: western, mystery, erotica,  whatever. Not really my point though. My point is the power of the story, and how that power has erupted across the Western World, thanks to new technologies and cutting edge companies such as Amazon.  It’s like a new Renaissance really, giving people from all walks of life the opportunity to tell their stories. The best invention since the printing press.

Self-publishing seems to get a bad rap though, especially from, well,
“serious” authors and critical reviewers.

But if reading even the so-called junk—the romance, the mystery, the fantasy—if even that kind of reading works to empower with possibilities, how much more so does the actual act of writing empower possibility within the individual and society at large? Self-publishing, of course, is not a new endeavor, just the delivery method is new, easier, quicker, and more subversive to the vanguard publishers and gate-keepers. Marcel Proust, James Joyce, Deepak Chopra, Gertrude Stein, Zane Grey, Upton Sinclair, Virginia Wolff, Rudyard Kipling, Henry David Thoreau, Benjamin Franklin, Walt Whitman, Beatrix Potter
…..  those are the footsteps of far greater authors that I walk behind and into. And that’s pretty exciting. Pretty scary power.

So Shakespeare be damned[4]. Let
’s dig into all that indie stuff[5]! Write something today.


[1] And now that I have the opportunity to publish myself, the thing will still never see the light of day. It has been shoved into a drawer, and should probably be burned.
[2] Check out Anne Browning Walker’s article on Huffington Post; it’s from 2012, but still a really good read.
[3] I met Ms. Wrede on a now, I am pretty positive now defunct electronic buliten board, if you remember what those are you have a pretty good idea of how old I am. Wrede encouraged me to attend the University of Iowa and learn more about creative writing. If I had known what I was getting myself into, I would have never taken her advice at the time, but I am so glad I did. I should probably get back in touch with her, though I doubt she even remembers me. I was just another fan I am sure. Another electronic blip that came across the screen in the late 90’s. Maybe she has a Twitter account?
[4] Um. Not really. A canon of literature exists that tells us where we’ve been and where we should head. The canon, of course, has been traditionally associated with the British, but that mindset is slowly changing. A way more liberal, global approach needs to be still more fully embraced, but then that raises some amazing issues, like how the heck do you catalog all that information, how do begin to study a world literature. More to the point, when do you stop reading?
[5] Maybe I’m saying this because I myself am an indie author.  I have an alterior motive. Buy my book. No. Actually, don’t do that unless you think you’ll like my book(s). Heck, I’ll give you a free copy if you want. Just email me at stevebargdill@gmail.com with FREE BOOK as the subject heading.

Saturday, January 3, 2015

Scrivener-tastic!


In the throws of putting together my master’s thesis, I really have no complaints. 

Except maybe one.


I have had so many people look at my chapters, pick over the logic and the grammar, the ideas, which is absolutely fine because it is a part of the process, but I have so many draft copies it is difficult to keep track of the work flow. So thank goodness for the awesome people at Literature and
Latte[1]  and Scrivener. I praise Scrivener so much in my everyday life that my cohorts have asked if I get a cut off their sales. I don’t; the product has just made my life entirely easier. And I’m all about easy.

                                                                             ***

I
’ve created a folder in the Scrivener binder called DRAFTS.



Within that folder, you can see that I have three more folders: My Drafts, Unreviewed Comments, and Reviewed Comments. From here, you can probably pretty much guess what I do. I work from the My Drafts folder, place committee member commented upon PDF drafts in the Unreviewed Comments Folder, until I get a chance to actually look the comments over, and then move those PDFs to the Reviewed Comments Folder. 

This might seem convoluted, but the process works for me. Plus, this way, nothing gets accidentally deleted.
                           
                                                                                  ***
I created my thesis template from scratch, which has been daunting, but whenever I begin a new project there is always a level of dauntingness that proceeds it. The problem with Scrivener is that there are so many options on how to write and how to organize the writing and researching process. But I am not alone. More importantly, you are not alone. A wealth of Scrivener templates are available online specifically made for academic writing. I have not found any on particular template to my liking, but you can always tweak. For your convenience, I have included the following links to Scrivener templates geared towards academic writing![2]

Obviously, though I vehemently disagree, Scrivener isn’t for everyone, so to end today’s post I pose the following question: what software do you utilize for academic writing? And, if you use Scrivener, do you have a specific template you use?


[1] Being an English major, you’ve got to just love that name!
[2] Wow, right?  :)

Friday, January 2, 2015

Poetry Like a Delicious Cold Plum

William Carlos Williams' poem designated XXII in Spring and All used to drive me crazy. I'd rack my brain trying to figure out what it all meant. The poem is short enough I can reproduce it right here:

so much depends
upon

a red wheel
barrow

glazed with rain
water

beside the white
chickens.


Williams, a doctor by trade, published his first book of poetry in 1909, titled simply Poems. The Red Wheelbarrow, as the poem is commonly referred to today, was published in 1923, and you can see Williams' medical career slip out in other poems, such as By the road to the contagious hospital, which was also originally published without a title. The Wheelbarrow is pure imagism. Reading Wheelbarrow is like looking at a photograph; there is no meaning except what you provide. A lot of Williams' poetry was inspired by photographer Alfred Stieglitz. Even if you don't recognize the name, you know who he is. He took this photo:



I'm not sure what this photograph, The Hand of Man, means. The title maybe gives some hints. The harmful effects of pollution and industrialization to the more natural landscape that should be present in the photo, but is the natural beauty really missing because of the locomotive? Personally, I just like trains, so maybe the photo has more of a romantic noir detective feel, like Humphrey Bogart's Rick Blaine and Ingrid Bergman's Ilsa Lund:

"Inside of us, we both know you belong with Victor. If that
plane train leaves and you're not with him, if you don't go, you'll regret it. Maybe not today, maybe not tomorrow but soon, and for the rest of you life."
"What about us?'
"We'll always have Paris."

Reading
Casablanca into the photograph is probably adding too much meaning. Why can't it just be a train? Why can't Williams' wheelbarrow just be a wheelbarrow?

What catches people off guard is the line "so much depends upon." You have no idea what depends on the wheelbarrow. Williams was asked once what the poem meant. His response is just as enigmatic as the poem:

"[The Wheelbarrow] sprang from affection for an old Negro named Marshall. He had been a fisherman, caught porgies off Gloucester. He used to tell me how he had to work in the cold in freezing weather, standing ankle deep in cracked ice packing down the fish. He said he didn’t feel cold. He never felt cold in his life until just recently. I liked that man, and his son Milton almost as much. In his back yard I saw the red wheelbarrow surrounded by the white chickens. I suppose my affection for the old man somehow got into the writing" (Rizzo).

I don't see Marshall in the poem though. Williams does, but unless you know the history of how the poem was written, Marshall isn't present at all. The only sign of any human activity in the poem is the wheelbarrow, and that mechanical device is somehow taken over by nature altogether—covered in rain and chickens.
***
Williams was overtaken in popularity by T.S. Eliot's The Waste Land. That poem is complicated, filled with at least seven languages, I don't know how many individual speakers, and obscure pop culture references. Williams wrote in his autobiography, "I felt at once that The Waste Land had set me back twenty years and I'm sure it did. Critically, Eliot returned us to the classroom just at the moment when I felt we were on a point to escape to matters much closer to the essence of a new art form itself—rooted in the locality which should give it fruit," and he continued to be critical of Eliot's work. What I like, what I enjoy, about Williams as opposed to Eliot—who I like for different reasons altogether—is Williams use of American plain colloquial English. Nothing about the Wheelbarrow is fancy. Not a single word is over two syllables. American poet and literary critic, John Hollander, called Wheelbarrow "meditative." All good poetry is, really, delicious and cold, like a plum.

Thursday, January 1, 2015

Relaxed Blog Reboot

Seriously. This blog has been a thorn in my side for two years now.

I don’t post regularly and when I do post there is no coherent theme between posts, and I have just no idea what to do with this thing. And here it is, January First when everyone makes a New Year’s resolution that they plan one hundred percent to break sometime soon.

Blogging rule number one, of course, is not to complain about blogging. I love blogging!

Okay, really, I love writing, not so much blogging. It’s hard to come up with idea after idea, and the amount of time to put into the thing is a lot, especially for a full-time graduate student with two kids of his own, but then somewhere along this past year I realized the coming up with the idea after idea is not really much different from writing an academic paper. The difference here, is that I can be conversational. More relaxed in my writing style. Loose and wrong with the grammars. And it’ll be okay. Run-sentence? Comma splice? Fragment?


Meh.


My real concern has been what do I have to say that is useful? My concern has been the “So What?” part of a thesis. My larger works are all well planned and thought out in advance. Wasteland took four years to write. Banana Sandwich is still in draft stage at just under two years now. Yellow Mountains of God, who knows how the hell, (heck) long that novel will take. The last academic paper I wrote on The Wizard of Oz took near a month to write, my thesis is going on two years, and yeah I know I used to write for a newspaper and had daily deadlines daily, but a blog has like weekly deadlines and it’s all off-the-cuff-stuff, right? Well, we shall see where this blog takes me this year. And that being said, here’s a list of my New Year’s resolutions:

1) Blog more.
2) Finish Banana Sandwich
3) Lose 10 more pounds
4) Quit smoking
5) Drink more water
6) Start chewing tobacco because of the inherent health benefits
7) Eat one raw carrot(cake) a day
8) Spend less time with the kids—wait, more time. I meant spend more time.

So, my question to you, what are your new year’s resolutions?